The result was a style of weaving unlike anything else: dense, tapestry-weight textiles with weft counts averaging 40 to 50 threads per linear inch in standard pieces, rising above 80 in tapestry-grade work, and reaching a documented 120 wefts per inch in the hands of master weaver Daisy Taugelchee — considered by many scholars to be the finest Navajo weaver who ever lived. Design elements include bold central diamonds, intricate geometric borders, floating elements, and Greek key details that migrated over the Chuska Mountains from J.B. Moore's influence at Crystal. The palette — cream, tan, brown, natural grey, and the deep black achieved from pinon pitch and burnt ochre before aniline dyes became available — remains one of the most sophisticated and timeless in all of textile art. It was this tradition, more than any other, that first moved the Navajo rug from the floor to the wall, and from craft to recognized fine art.