The tradition's second chapter began with an act of political displacement. When the 1974 Navajo-Hopi Land Settlement Act reassigned Coal Mine Mesa to the Hopi Reservation, the Navajo weavers of that region were relocated to a new area south of Sanders, Arizona — called the New Lands. They brought their raised outline technique with them, and under the influence of trader Bruce Burnham — who also played a foundational role in the development of the Burntwater style — the New Lands weavers fused their raised outline method with Teec Nos Pos geometric design elements and the soft pastel vegetal dye palette of the neighboring Wide Ruins and Burntwater traditions. The result is a three-way hybrid that is visually complex, technically demanding, and among the most collectible contemporary Navajo weaving styles available today.